{"id":4642,"date":"2022-01-10T18:35:38","date_gmt":"2022-01-10T18:35:38","guid":{"rendered":"https:\/\/emersonavenuesalons.com\/?page_id=4642"},"modified":"2022-01-10T18:35:39","modified_gmt":"2022-01-10T18:35:39","slug":"salonline-2022-01-09-howard-and-jeremy-bass","status":"publish","type":"page","link":"https:\/\/emersonavenuesalons.com\/?page_id=4642","title":{"rendered":"Salonline 2022-01-09 Howard and Jeremy Bass"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><a class=\"maxbutton-3 maxbutton maxbutton-button-3-text\" title=\"Click Here to donate (100% Matched!)\" href=\"https:\/\/emersonavenuesalons.com\/?page_id=2935\"><span class='mb-text'>DONATE!<\/span><\/a>\u00a0 \u00a0 <a class=\"maxbutton-3 maxbutton maxbutton-button-3-text\" title=\"Click to Watch YouTube\" href=\"https:\/\/youtu.be\/ra_krIUfoz0\"><span class='mb-text'>Watch This Salonline<\/span><\/a> \u00a0\u00a0<a class=\"maxbutton-3 maxbutton maxbutton-button-3-text\" title=\"Click to see Older Salonlines\" href=\"https:\/\/emersonavenuesalons.com\/?page_id=189\"><span class='mb-text'>Previous Salonlines<\/span><\/a>  <\/p>\n\n\n\n<h2 class=\"has-text-align-center wp-block-heading\">Sunday January 9, 2022<br> Emerson Avenue Salonlines Proudly Presents<br> a Live YouTube Broadcast<\/h2>\n\n\n\n<p class=\"has-text-align-center has-text-color has-medium-font-size\" style=\"color:#de2c32\"><strong>&#8211;  A &#8220;hybrid&#8221; concert &#8211;<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-huge-font-size\"><strong>Howard Bass and Jeremy Bass<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>lutes &amp; guitars<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full\"><a href=\"https:\/\/emersonavenuesalons.com\/wp-content\/uploads\/2021\/12\/Howard-and-Jeremy-Bass-Collage-Photos-by-Maura-B.gif\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"360\" src=\"https:\/\/emersonavenuesalons.com\/wp-content\/uploads\/2021\/12\/Howard-and-Jeremy-Bass-Collage-Photos-by-Maura-B.gif\" alt=\"\" class=\"wp-image-4620\"\/><\/a><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">In the year 1986, when Jeremy Bass was three years old he asked his dad, Howard, if he could hold a lute. He held the lute carefully and gently drew his fingers across the strings. Perhaps here a seed was planted: Fast forward to 2020, and we find Jeremy with a Doctorate of Musical Arts, a Fulbright Fellowship, a CD with the first recordings of sonatas by David del Puerto, with an extensive performing resume. Meanwhile, Howard has not been altogether idle as a musician, while also holding down a job as a program producer at the Smithsonian. He is a member of Trio Sefardi (which performed recently on the Emerson Avenue Salon series) and a co-founder La Rondinella; he has been a guest artist with a wide range of ensembles, recorded extensively, and was for more than fifteen years the guitar accompanist for National Heritage Fellowship awardee, Flory Jagoda, as well as performing lute song programs for more than three decades with beloved Washington-area mezzo-soprano Barbara Hollinshead. The Bass-Bass duo debuted in October at the Barns of Rose Hill in Berryville, Virginia, Jeremy\u2019s hometown, in 2020.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"has-text-align-center has-huge-font-size wp-block-heading\">PROGRAM<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"> <strong>Canti voi le ladi<br>Amor e gratioso<br>Passamezzo and Il suo saltarello (G. Pacolini, 1553-1612)<\/strong><br><strong><strong>From <em>Theatrum Musicum<\/em><\/strong> <\/strong>         <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p> <strong>Pierre Phalese, published 1563<\/strong> <\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>Three Fantasias<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Francesco Canova da Milano, 1497-1543<br>2<sup>nd<\/sup> parts by Johannes Matelart, 1538-1607<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>Toccata Sesta<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Giovanni Girolamo Kapsberger, 1580-1651<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>2 Ballets from <em>Thesaurus Harmonicus<\/em> (1603)<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Jean-Baptiste Besard, 1567-1625<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>Mr. Dowland\u2019s Midnight<br>The Night Watch<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>John Dowland, 1563-1626<br>Anthony Holborne, 1543-1602<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>4 Branles de Village from <em>Novus Partus<\/em> (1617)<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Besard<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>3 Pieces from Aus der Jugenzeit (Op. 17)<br>    \u00dcber Stock und Stein<br>    Was die Gro\u00dfmutter Erz\u00e4hlt<br>    Bange Frage<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Max Reger, 1873-1916<br>Arr. by Ferdinand Rebay, 1880-1953<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>Finale (4<sup>th<\/sup> mvt.) from Sonata No. 5<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>David del Puerto, b. 1964<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><strong>Penny Lane<br>Yesterday<br>Fool on the Hill<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Lennon\/McCartney, arr. Leo Brouwer<br>Arr. T. Takemitsu<br>Arr. L. Brouwer<\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center has-large-font-size\"><strong>BIOGRAPHY<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Jeremy Bass<\/strong> is an avid proponent of contemporary chamber music for guitar and enjoys exploring the rich historical literature for plucked strings. He holds graduate degrees from the University of Kentucky and Columbus State University, and is now working on a masters degree in early music in The Hague. Jeremy was a 2018-2019 Fulbright Scholar at the Universidad Complutense de Madrid, researching contemporary Spanish guitar music, and studying early music with Jes\u00fas S\u00e1nchez and Eduardo Eg\u00fcez. Jeremy\u2019s solo debut recording, \u201cDavid del Puerto: Guitar Sonatas, Volume 1\u201d is available on Orpheus Classical. He can also be heard on Wolf and Clover\u2019s self-titled album. <a href=\"http:\/\/www.jeremyandrewbass.com\/\">www.jeremyandrewbass.com<\/a><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Howard Bass<\/strong> is a founding member of Trio Sefardi, and was a founding member of the early and Sephardic music ensemble, La Rondinella, with which he recorded three CDs for the Dorian label. He performs programs of Renaissance music for voice and lute with mezzo-soprano Barbara Hollinshead and was an accompanist for Sephardic singer-composer Flory Jagoda for many years. In addition to three CDs with Barbara Hollinshead and three with Trio Sefardi, Howard has performed and recorded with HESPERUS, the Smithsonian Chamber Players, the Folger Consort, the Baltimore Consort, and the Choral Arts Society of Washington, among others. Howard was a program producer at the Smithsonian\u2019s National Museum of American History and the National Museum of the American Indian for three decades before retiring at the end of 2010. <a href=\"http:\/\/www.hollinsheadbass.com\/\">www.hollinsheadbass.com<\/a>; <a href=\"http:\/\/www.triosefardi.com\/\">www.triosefardi.com<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<p class=\"has-text-align-center\">If you&#8217;d like to receive Emerson Avenue Salon invitations, you can add yourself to the invitation list <a href=\"https:\/\/emersonavenuesalons.com\/?page_id=1212\">HERE<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 \u00a0\u00a0 Sunday January 9, 2022 Emerson Avenue Salonlines Proudly Presents a Live YouTube Broadcast &#8211; A &#8220;hybrid&#8221; concert &#8211; Howard Bass and Jeremy Bass lutes &amp; guitars In the year 1986, when Jeremy Bass was three years old he asked his dad, Howard, if he could hold a lute. He held the lute [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":189,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-4642","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/pages\/4642","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4642"}],"version-history":[{"count":0,"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/pages\/4642\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/pages\/189"}],"wp:attachment":[{"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}