{"id":3308,"date":"2020-12-08T00:59:38","date_gmt":"2020-12-08T00:59:38","guid":{"rendered":"https:\/\/emersonavenuesalons.com\/?page_id=3308"},"modified":"2020-12-08T01:04:39","modified_gmt":"2020-12-08T01:04:39","slug":"salonline-2020-12-06-howard-and-jeremy-bass","status":"publish","type":"page","link":"https:\/\/emersonavenuesalons.com\/?page_id=3308","title":{"rendered":"Salonline 2020-12-06 Howard and Jeremy Bass"},"content":{"rendered":"

DONATE!<\/span><\/a>\u00a0 \u00a0 Watch Salonline<\/span><\/a>\u00a0\u00a0 Previous Salons<\/span><\/a><\/p>\n

\n

Sunday December 6<\/em>, 2020<\/h2>\n

Howard Bass and Jeremy Bass<\/h1>\n

lutes and guitars<\/h3>\n

“A Little Bit (More) of Pluck<\/strong>“<\/h2>\n
\"\"<\/a>\u00a0Photos courtesy of Maura B. McConnell<\/div>\n
\n
\n<\/div>\n
In the year 1986, when Jeremy Bass was three he asked his dad, Howard, if he could hold a lute. He held the lute carefully and gently drew his fingers across the strings. Perhaps here a seed was planted: Fast forward to 2020, and we find Jeremy with a Doctorate of Musical Arts, a Fulbright Fellowship, a CD with the first recordings of sonatas by David del Puerto, with an extensive performing resume. Meanwhile, Howard has not been altogether idle as a musician, while also holding down a job as a program producer at the Smithsonian. He is a member of Trio Sefardi (which performed recently on the Emerson Avenue Salon series) and a co-founder La Rondinella; he has been a guest artist with a wide range of ensembles, recorded extensively, and was for more than fifteen years the guitar accompanist for National Heritage Fellowship awardee, Flory Jagoda, as well as performing lute song programs for more than three decades with beloved Washington-area mezzo-soprano Barbara Hollinshead. The Bass-Bass duo debuted in October at the Barns of Rose Hill in Berryville, Virginia, Jeremy\u2019s hometown.<\/h6>\n

Program<\/h1>\n

La rossignol<\/em><\/strong>\u00a0 —\u00a0 Anonymous<\/strong> (Pickering Ms.)<\/p>\n

Drewries accordes<\/em><\/strong>\u00a0 —\u00a0 Anonymous<\/strong> (Pickering Ms.)<\/p>\n

Flatt Pavan and Galliard<\/em><\/strong>\u00a0 —\u00a0 John Johnson<\/strong>, ca. 1545 \u2013 1594 (Jane Pickering Ms., ca. 1616 – 1645)<\/p>\n

A Fancy<\/em><\/strong>\u00a0 —\u00a0 John Danyel<\/strong>, 1564 \u2013 c. 1626<\/p>\n

Galliard after Laveche<\/em><\/strong>\u00a0 —\u00a0 Anonymous<\/strong>, ca. 1600<\/p>\n

Greensleeves Treble and Ground<\/em><\/strong>\u00a0 —\u00a0 Anonymous<\/strong> (Folger \u201cDowland\u201d Ms.)<\/p>\n

Lord Willoughby\u2019s Welcome Home<\/em><\/strong>\u00a0 —\u00a0 John Dowland<\/strong> (Folger \u201cDowland\u201d Ms.; 2nd<\/sup> part Sampson Lutebook)<\/p>\n

Spagna for Two Lutes<\/em><\/strong>\u00a0 —\u00a0 Francesco Canova da Milano<\/strong>, 1497 – 1543<\/p>\n

Fantasia Sexta<\/em><\/strong> (No. 67)\u00a0 —\u00a0 Francesco<\/strong>, 2nd<\/sup> part by Johannes Matelart<\/strong>, before 1538 \u2013 1607, published 1559<\/p>\n

Canon for 2 Lutes<\/em><\/strong>\u00a0 —\u00a0 Francesco<\/strong><\/p>\n

Dos Interludios<\/em>\u00a0 —\u00a0 David del Puerto<\/strong>, b. 1964
\nSunset in Toledo
\nGrand Place, la nuit<\/p>\n

Divertimento<\/em><\/strong>\u00a0 —\u00a0 Andres Segovia<\/strong>, 1893 \u2013 1987<\/p>\n

Zarabanda Lejana<\/em><\/strong>\u00a0 —\u00a0 Joaquin Rodrigo<\/strong>, 1901 \u2013 1999<\/p>\n

Canci\u00f3n de Cuna<\/em><\/strong> (\u201cDrume negrita\u201d)\u00a0 —\u00a0 Leo Brouwer<\/strong>, b. 1939<\/p>\n

\u00c1gua e Vinho<\/em><\/strong>\u00a0 —\u00a0 Egberto Gismonti<\/strong>, b. 1947 (arr. Daniel Wolff<\/strong>)<\/p>\n

Musica Incidental Campesina<\/em><\/strong>\u00a0 —\u00a0 Brouwer<\/strong>
\nPreludio
\nInterludio
\nDanza
\nFinal<\/p>\n

Yesterday<\/em><\/strong>\u00a0 —\u00a0 John Lennon\/Paul McCartney<\/strong>, arr. Toru Takemitsu<\/strong>, 1930 \u2013 1996<\/p>\n

Fool on the Hill<\/em><\/strong>\u00a0 —\u00a0 Lennon\/McCartney<\/strong>, arr. Brouwer<\/strong><\/p>\n

\n

Biography<\/h1>\n
\n

Jeremy Bass<\/strong> is an avid proponent of contemporary chamber music for guitar and enjoys exploring the rich historical literature for plucked strings. He holds graduate degrees from the University of Kentucky and Columbus State University. Jeremy was a 2018-2019 Fulbright Scholar at the Universidad Complutense de Madrid, researching contemporary Spanish guitar music, and studying early music with Jes\u00fas S\u00e1nchez and Eduardo Eg\u00fcez. Jeremy\u2019s solo debut recording, \u201cDavid del Puerto: Guitar Sonatas, Volume 1\u201d is available on Orpheus Classical. He can also be heard on Wolf and Clover\u2019s self-titled album. www.jeremyandrewbass.com<\/a><\/p>\n

 <\/p>\n

Howard Bass<\/strong> is a founding member of Trio Sefardi and was a founding member of the early and Sephardic music ensemble, La Rondinella, with which he recorded three CDs for the Dorian label. He performs programs of Renaissance music for voice and lute with mezzo-soprano Barbara Hollinshead and was an accompanist for Sephardic singer-composer Flory Jagoda for many years. In addition to three CDs with Barbara Hollinshead and three with Trio Sefardi, Howard has performed and recorded with HESPERUS, the Smithsonian Chamber Players, the Folger Consort, the Baltimore Consort, and the Choral Arts Society of Washington, among others. Howard was a program producer at the Smithsonian\u2019s National Museum of American History and the National Museum of the American Indian for three decades before retiring at the end of 2010. www.hollinsheadbass.com<\/a>; www.triosefardi.com<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0\u00a0 Sunday December 6, 2020 Howard Bass and Jeremy Bass lutes and guitars “A Little Bit (More) of Pluck“ \u00a0Photos courtesy of Maura B. McConnell In the year 1986, when Jeremy Bass was three he asked his dad, Howard, if he could hold a lute. He held the lute carefully and gently drew […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":189,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3308","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/pages\/3308","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3308"}],"version-history":[{"count":0,"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/pages\/3308\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=\/wp\/v2\/pages\/189"}],"wp:attachment":[{"href":"https:\/\/emersonavenuesalons.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}