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Sunday June 13, 2021 — 7:30 PM EST

Emerson Avenue Salonlines Proudly Presents
a live YouTube Broadcast…

Elizabeth Field, violin


Uri Wassertzug, viola

Remembering and


We pause to remember those we have lost and what the world has endured; then we endeavor to resume our passion and our joy.


Henri Vieuxtemps: “Capriccio for Viola”, Op. Posth.

Lento, con molta espressione

Robert Davidson: “Cycle for Violin and Viola” (1990)

I Andante
II Allegro
III Allegro con brio
IV Allegro
V Allegro con brio
VI Allegro
VII Andante

Heinrich von Biber: “Mystery Sonata no. 1”: “The Annunciation”

Preludium and Variations

Mario Castelnuovo-Tedesco: “Sonata for Violin and Viola”

Con brio (but not too fast)
Theme with Variations
Molto vivace


Dr. Elizabeth Field enjoys an active career as a chamber musician and soloist on period and modern violin. Elizabeth is the concertmaster for The Bethlehem Bach Orchestra and has served as a guest concertmaster for numerous ensembles including the Washington Bach Consort, Opera Philadelphia, The National Philharmonic, Opera Lafayette, Charleston Baroque Society and the Spire Ensemble in Kansas City. Field performs regularly with her chamber ensembles, The Vivaldi Project, The Eisenstadt Trio (with fortepianist Andrew Willis) and ArcoVoce and is a frequent guest artist with the Mallarme Chamber Ensemble and La Fiocco. Field holds a Doctorate in Historical Performance Practice from Cornell University and is the Founder and Co-Director (along with cellist Stephanie Vial) of The Vivaldi Project and its educational arm, the Institute for Early Music on Modern Instruments (EMMI). As a team, Field and Vial have served as performance-practice coaches for numerous universities and music schools including The Curtis Institute of Music, The Longy School of Music, Blair and Belmont Schools of Music in Nashville, and the Boston Conservatory of Music. The Vivaldi Project’s critically acclaimed recordings of unknown 18th-century string trios (Discovering the Classical String Trio) have been heralded as: “Superb…highly recommended..exquisite ensemble, vibrant sound and ardent cantabile represent period instrument playing at its best” (Fanfare Magazine). Her collaborative DVD with fortepianist Malcolm Bilson titled: Performing the Score, was lauded by Emanuel Ax as “truly inspiring”. Ms Field also performed and recorded extensively for Deutsche Gramophone with the Orpheus Chamber Orchestra and performed regularly with leading New York ensembles including the St. Luke’s Ensemble, the Brooklyn Philharmonic, American Composers Orchestra, the Solisti Chamber Orchestra and the New York City Opera. Dr. Field was the violin professor at California State University in Sacramento and at the University of California, Davis for several years before moving to DC with her husband who joined the Washington National Opera Orchestra. She is currently an Associate Professor of violin at George Washington University. For more information about Elizabeth, please visit

Uri Wassertzug, Violist, has performed professionally in many locations around the world including Alaska, California, and Utah in the U.S. as well as the UK, Italy, Japan, and New Zealand. Since 1998 he has been a member of the Kennedy Center Opera House/ Washington National Opera Orchestra as well as Idaho’s Sun Valley Summer Symphony. He occasionally serves as Guest Principal Viola with the National Philharmonic. He has also performed with the San Francisco Opera and Symphony, the National Symphony, the Sacramento Symphony, the Cabrillo Festival, and the California Symphony, among many others. Mr. Wassertzug is a member of the National Chamber Ensemble and appears frequently on the Kennedy Center’s Millennium Concerts series. Other chamber music appearances and affiliations have included the New Zealand Festival of Chamber Music, Mozart in Monterey, the Foulger International Music Festival, the Empyrean Ensemble, the Sun Quartet, and the Beau Soir Ensemble. Mr. Wassertzug is on the faculty of George Washington University. His own studies were at the University of Maryland, the Aspen Music Festival (on a fellowship), and the San Francisco Conservatory of Music (awarded the Germaine Prevost Scholarship). Some of his teachers included the members of the Guarneri Quartet, Isadore Tinkleman, and Robert Becker. An aficionado of coffee, Mr. Wassertzug has been roasting his own coffee beans for several years. He lives in Virginia with his wife, violinist Elizabeth Field, and their son.

If you’d like to receive Emerson Avenue Salon invitations, you can add yourself to the invitation list HERE


7:30 Sharp! YouTube Performance
8:30 Zoom Reception


To watch the YouTube broadcast of Elizabeth & Uri’s performance, click the following link:

Click Here to Watch this Salonline on YouTube


Until the video begins, this will be a static picture.
(You can only make “chat” comments while the YouTube Live broadcast airs and only if you have a YouTube “channel”, which is free and easy to get.)


You are encouraged to participate in the Zoom reception. To do that, you need to download and and install the Zoom application and, immediately after the performance (~8:30PM), click on the following link :

Click Here to Join the Zoom Meeting
Passcode: 1508

 >>>   AFTER THE SALONLINE!!   <<<


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We are delighted with how many of you have come along with us on our venture into the “virtual” online world (here’s to virtue!)  We hope to continue to host and broadcast Salonlines almost every Sunday evening at 7:30 until this dreaded situation eases.

This is the new “normal” Emerson Avenue Salonline — the performance is obviously free but you can send a donation to Elizabeth & Uri via PayPal or via my personal email, or by mailing a check to Bill Ewing, 1508 Emerson Avenue, Mclean VA 22101.

Our artists REALLY appreciate your show of support!


We (Jackie & Bill) will MATCH ALL DONATIONS 100%!!

Please give generously!

“What about food”, you say? Are you imagining that strangers might come together — within inches of one another — and share food? We’re not there yet. Mask and gloves probably part of it when we get there.

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